Black Arches Cover - Con't

It was a work of art from Glen Epstein that got me going on the black Arches cover paper. Mr. Epstein was a marvel of an artist and calligrapher. You can see his work here, if you have never seen it before.

So in the style of Glen Epstein I created this piece. The text is a translation from a portion of "The Extremes of Good and Evil" by Cicero written in 45 BC. The picture above has the text only written. The picture below has the addition of the colored pencil between lettering. The color pencil adds to the vibrancy of the piece but also tames any hot spots of black in between the letters. 

I really had to concentrate on keeping the counter spaces and the letter spacing tight. I actually started with the bottom block of text, which unfortunately, has larger spacing between letters and words than the top. I was able to tighten it up as I wrote, but it could all be tighter still. 


The piece was lots of fun! 

Black Arches Cover

Well, I have to say, I feel a little behind the times. Having read many times about black Arches Cover paper and having seen many works of calligraphy created on this paper, I have never tried it myself. And I have never worked with watercolor on black paper. For some reason I had it in my mind there had to be a preparation trick for watercolor on black paper. So I came across this long, thin scrap of black Arches in my scrap drawer and thought, "I will give it a try".

Oh my gosh! I am so excited! I know you all have probably already worked with this combination and are thinking, "I can't believe she is just finding this out!"

      

I created this little sampler of color this past weekend. Isn't it pretty?! It is an accordion fold with 5 pages of color combinations on one side and technique trials on the other side. I did find out that the more opaque watercolors show better on the black paper. Although, some cool effects can be achieved with the transparent colors as well. I tried to use masking fluid but it did not work; the masking fluid soaked into the paper and would not come off cleanly. When I rubbed hard enough to remove the masking fluid the watercolor around it rubbed off also. (See below.)

I have been having loads of fun working with my watercolors on this black paper. I will have more samples of work with this combination of materials in the future. Until then,